The hand is Gemini’s organ, which, it goes without saying, comes in pairs. Photography in its iterative, duplicative essence belongs to Gemini, and the hand is a perennial photographic subject. Gemini Irving Penn, the quintessential commercial photographer, was commissioned to shoot the elusive Gemini jazzman Miles Davis. Several remarkable hand studies resulted, where the hand is allowed to take over from the face the task of representing identity. Above, a pair of jagged hand portraits, sharp as portrait glossies, signaling difference digitally.
Here, the face is a mask, and the hands share the portrait.
The photograph chosen for the actual album has been appropriated on FLICKr. The absent hand is restored.
The punning album cover of Gemini conductor George Szell’s “Beethoven’s Fifth Symphony” repeats Gemini themes.
Gemini photographer Weegee took this one.
Another Irving Penn photo. Penn also shows the Gemini trait of having a notable sibling connection. His brother Arthur Penn also makes pictures.
See also: Hands of Escher and Raymond Pettibon
and here for Hands of Johnny Depp and Vincent Price