Hands of Gemini 9

Johnny Depp    9 June 1963 

Vincent Price   27 May 1911

E. M. Lilien (Hands of Gemini 10)

      

An interesting Gemini has turned up on my shelves, the photographer and artist E. M. Lilien (b. May 29, 1874). These two images comprise the front and back covers of The Art of Light, Photographic Aspects of E. M. Lilien, Jerusalem, 1992. The reciprocity between the two duplicative processes (photography and engraving), both practiced with great imagination and skill perfectly strikes the Geminian interval.

In Lilien’s involvement in newspaper, journalistic and reportage photography, book and periodical illustration, and art education, the resemblance to the German graphic master, Durer, is notable;
the stylistic resemblance is obvious. In the two illustrations above notice the importance of that symbol of Gemini, the subject’s hand.

There is bold adventure in a 25 year old eastern European Jew dragging cumbersome photographic equipment to the desert. Sometimes called “the first Zionist artist”, his photograph of Theodore Herzl is iconic. As Gemini needs continuously to communicate, to mediate, so Lilien felt that his art would help
bridge  both the jew/arab and the semite/European splits.

Hands of Gemini 8

 

prehistoric cave art         (photo:Chauvet-Signa)

        cartoon by Saul Steinberg (b.June 15, 1914)

Photographer Dorothea Lange (b. 25 May 1895)

RAYMOND PETTIBON (b. 26 May 1957)

M. C. Escher (b. 17 June 1898)

        I sit at my desk and scribe the endless message from myself to my own hand.   Allen Ginsberg, Planet News (b. June 3, 1926)

Albrecht Durer, 21 May 1471

Hands of Gemini 1

 

The hand is Gemini’s organ, which, it goes without saying, comes in pairs.  Photography in its iterative, duplicative essence belongs to Gemini, and the hand is a perennial photographic subject.  Gemini Irving Penn, the quintessential commercial photographer, was commissioned to shoot the elusive Gemini jazzman Miles Davis. Several remarkable hand studies resulted, where the hand is allowed to take over from the face the task of representing identity. Above, a pair of jagged hand portraits, sharp as portrait glossies, signaling difference digitally.

Here, the face is a mask, and the hands share the portrait.

 




The photograph chosen for the actual album has been appropriated on FLICKr. The absent hand is restored.

The punning album cover of Gemini conductor George Szell’s “Beethoven’s Fifth Symphony” repeats Gemini themes.

Gemini photographer Weegee took this one.

Another Irving Penn photo. Penn also shows the Gemini trait of having a notable sibling connection. His brother  Arthur Penn also makes pictures.

See also: Hands of Escher and Raymond Pettibon

and here for Hands of Johnny Depp and Vincent Price

Hands of gemini 2: Uelsmann

Gemini photographer Jerry Uelsmann (b. June 13, 1934) characteristically works with double exposures, multiple negatives and mirrorings, all Gemini themes . .  and, of course, hands.

HANDS OF GEMINI 3: HEARTFIELD

John Heartfield, German photomontagist, born 19 June 1891.

Go here for some hands by E. M. Lilien

Hands of Gemini 4: Bourke-White

A few Geminian images  taken by Margaret Bourke-White, (b. June 14, 1904). “What is amazing about Margaret Bourke-White's life is the number of opportunities she managed to get for herself. In photojournalism, getting where the action is, being there when it happens, is a major part of the talent and, ultimately, the achievement. And Bourke-White managed to get herself where things were happening when they were happening by working hard at being lucky and by her piercing intelligence and intuition. She was able to sense the potential of a great story and to get the editors of Life to transport her to the hot spot on time.  

    “An incredibly hard worker with legendary stamina and perseverance, she was also charismatic and, by all accounts, beautiful. Inevitably, people wanted to help her, giving her story leads and access. (And she apparently had a sixth sense about who would turn out to be useful to her.) Like most photographers, she had the ability to focus her personality on the getting of the photograph - by being persuasive, charming, persistent, manipulative, whatever it took. On top of all this, she had an exalted view of the role of the photographer as witness and felt that "getting there" and sending back the word was a privilege and duty. This messianic view of her job must have given her a lot of energy. (This wasn't as self-important an interpretation of the job of photojournalist as it might sound today: there was a world war raging, there was no television, no satellite transmissions to get the word out to the whole world within hours.)      . . . . Elsa Dorfman   Originally published in The Women's Review of Books, March 1997Further regarding Bourke-White: her gender bending, cross dressing, siblings, two marriages, and innumerable images of multitudes, transportation, flight, communicating, paired, iterating, signaling, etc. Her single most famous image is probably the photograph of Fort Peck Dam, which appeared on the cover of the inaugural issue of LIFE Magazine. Henry Luce, the editor/publisher of LIFE, was a Taurus. That photograph seems to me another representation of the Taurus/Gemini confrontation, wherein the first issue of the first photojournalistic organ declares the imposing compatibility of the ephemeral photograph and the most massive material manifestation of capital, or the mass-ness of the new mass media.

Hands of Gemini 5: Egon Schiele

"For a well modelled thigh, you would recommend Michelangelo. For a radiant face, Rembrandt. But to whom would you turn for a supremely expressive hand? Egon Schiele, (b. 12 June 1890) the Austrian Expressionist who died at the age of 28 in the great flu pandemic of 1918, was a master of hands, and there is an enormous range of them throughout his work. There are long, thin, ivory-spindle-like hands which slide up the cheek; there are hands which drag at the flesh beneath the eye, making it bulge weirdly. There are hands which seem to snake around and almost to engulf the body, making it seem knotted and strangely tortured." (ref)

Anent Gemini's sibling associations: Schiele lived in a scandalous menage a trois with his wife and her sister, and he is believed to have had an incestuous relationship with his own sister.

Hands of Gemini 6: Garcia Lorca

Spanish poet Federico Garcia Lorca (b. June 5, 1898), also an artist, drew this pair of severed hands, which chillingly prefigure his severed life: he was murdered by the Spanish fascists in 1936. Poets take note of the shout-outs among Geminis Whitman, Pessoa, Lorca and Ginsberg!

Incidentally, as a youngster, didn't Lorca look like Gemini Johnny Depp? I know "Separated at Birth" is an easy game, but when they're of the same sign I can't resist.

Hands of Gemini 7: Marilyn Monroe

Leaving her handprints in front of Grauman's Chinese Theater, after the filming of Gentlemen Prefer Blonds, in which she figures as one of a pair (with Jane Russell), bon vivante and gender-bending. Granted, the hand is not the first body part one associates with Monroe, nor is Gemini the sign one might guess for her.  Yet that might be the very disjunction that explains her anguish. She gave herself to the camera, that is, to the state of being duplicated and multiplied, promiscuously and compulsively. Hedda Hopper, herself a Gemini (and note that both ladies rechristened themselves with alliterative names, gracing their self-created identities with the primitive charm of doubleness), observed Monroe's relation to the camera:

“No one in my memory hypnotized the camera as she did. . . In her brain and body the distinction between woman and actress had edges sharp as razor blades. Off camera she was a nervous, amazingly fair-skinned creature almost beside herself with anxiety about her roles, driven to seek relief in vodka, champagne, sleeping pills—anything to blunt the pain of her existence. When the camera was there she became an actress, using her eyes, her hands, every muscle in her body to court and conquer the camera as though it were her lover, whom she dominated and was dominated by, adored and feared.”   ---Hedda Hopper, The Truth and Nothing But (sic)

MM & HH: 2 Geminis and a mirror

As a hypermediated Gemini she was also a reader, fully entitled to wear glasses without joking. She married a writer, after all, not a bodyguard or back-up dancer. She was continually communicative, on the phone, kept in touch with everybody, even her distant half-sister, who wrote a book about her.

As Geminis do, she paired off with other Geminis.  Most memorably, Tony Curtis, JFK, and Joyce Carol Oates.Two Geminis with cameras

Gemini JFK avoided being caught in a photo with her, save in this rare shot taken on the sly, which includes the bonus features treasured by Gemini watchers: the Brother and the Library.

Two Geminis with phone

Gemini novelist Joyce Carol Oates announced Marilyn as her alter-ego or secret twin in the jacket art of her novel BLONDE, which had the working title of GEMINI, and is full of reflections on Gemini, including an extended fantasy of a sexual relationship between Monroe and a pair of handsome twins. A powerful chapter treats the occasion on which Monroe sang Happy Birthday to JFK. Years later tragic history repeated itself as farce when Gemini opera singer Beverly Sills sang Happy Birthday to Gemini Henry Kissinger.

(found stereogram)

(photo by Milton H. Greene)

reading Ulysses

Conglomeration of Gemini nonsense. (11)

Something a little silly perhaps, arbitrary and unchronological, entirely consequent on the vagaries of TurnerClassicMovies programming. This goes back to Gemini, the Hands, and the Taurus cusp. Remember wonderful Robert Montgomery? Born exactly on the cusp of Taurus and Gemini (Sun was at 29d30’ Taurus at noon on his time-unknown birthday), this is arguably his best film. On the poster his dense, puzzled face contemplates his murderous digits, detached, vaguely disturbed,  with a glimmer of dawning understanding and horror. What a perfect summary of the relationship of safe, premental Taurean fixity  to the adjacent restlessness and dangerous manipulations of Gemini. As Montgomery’s Mars is conjunct the Sun at 2 Gemini, the fingers particularly  signify violence, rather than, say, intelligence, or creativity. Interestingly, co-star Rosalind Russell is also a Gemini, and her hand is also expressively emphasized in the poster art. Russell ends the film with a line that is bizarre, but aptly Geminian: “You not only saved my life, you saved my reason!”

The great, and now rather unfashionable, novelist Thomas Mann, an exemplary Gemini, noted in his diary on April 14, 1937: ". . . Night Must Fall, an excellent film with Robert Montgomery, who represents a good psychological type and has distinctly Joseph-like moments. Quite interested." Since Joseph was Mann's deeply felt alter-ego, with whom he shared his own horoscopic placements in his massive novel, Joseph and His Brothers, this response to Montgomery's character, a silver-tongued, criminal charmer, is clearly a bit of astrological self-recognition.Thomas Mann and friends

Incidentally, the third co-star of this film, Dame May Whitty, was also a Gemini, and what a Geminian name. While I'm drivelling on, to make another mad point, the late great Beatrice Lillie (aka Lady Peel) was a Gemini (and in talking of Gemini, do enjoy finding double letters in the name) and the Gemini poet Theodore Roethke (b. May 25, 1908) was once compelled to pen these immortal lines:

Bees and lilies there were,

Bees and lilies there were, 

Either to other,--

Which would you rather?

Bees and lilies were there.

Gemini show of hands (12)

Updating Hands of Gemini

Damien Hirst -- his signature camera pose (7June65)

Tom Daley (21May94)

Durer: May 21, 1471

 a self-portrait and his 

iconic praying hands.

more Durer hands below

Elsa Maxwell (24May1883)

Jim Dine (16June1935)  

Jim Dine diptych

Boyfriends and Instagram buddies:

Andy Cohen (2June68) & Anderson Cooper (3June67)

Continued at Hands of Gemini 

Hands of Gemini 14: The Case of Aby Warburg

The great bibliomane and iconologist Aby Warburg was born on June 13, 1866, under Gemini, sign of the Twins. Scion of a wealthy family of German Jewish bankers, he ‘famously made a deal with his brother Max to forfeit his right, as the eldest son, to take over the family firm, in return for an undertaking on Max’s part to provide him with all the books he ever needed’. His brother Max was precisely one year younger, also born on June 13, thus also a Gemini, as if a twin displaced by one yearly cycle. Warburg’s great accomplishment, the creation of the Warburg Institute (now threatened) was achieved in spite of psychological disabilities including an often incapacitating dread of astrological coincidences, which he believed pursued him as he himself pursued the scholarly study of the persistent life of classical imagery. To this day the staff of the Warburg repels approaches from practicing astrologers. Perhaps the Institute would be in better shape if it participated in the reality of ancient imagery rather than sequestering it in musty antiquarianism. The campaign to save the Warburg Institute has adopted as its emblem one of the most popular images in the collection, a hand apparently engulfed in dire circumstances, waving for help, bearing the letter W in its sinews. In the classic melathesia of Zodiac to parts of the body, the Hands are of course the Twin’s. More Geminian Hands are here:http://astrodreamer.squarespace.com/blog/category/hands-of-gemini

Hands of Gemini 15: Irving Penn

Photographer Irving Penn (June 16, 1917)

Two women with tarot cards and hand-reading chart.

One of them was his wife, model Lisa Fonssagrives.